tag:blogger.com,1999:blog-44827775606997335692023-11-09T20:49:04.600+09:00Pijin NejiUnknownnoreply@blogger.comBlogger13125tag:blogger.com,1999:blog-4482777560699733569.post-48251499537629645772023-11-09T11:11:00.007+09:002023-11-09T11:11:55.714+09:00<p>New Website</p><p>→<a href="http://nejiandco.com"><span style="color: #ffa400;">nejiandco.com</span></a></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4482777560699733569.post-48204716727966836382022-11-10T00:18:00.006+09:002023-11-09T11:09:55.826+09:00schedule 2023<p>2023/12/13-15</p><p>Pijin Neji “Stream”</p><p>@<a href="https://app.swapcard.com/event/ypam2023/exhibitor/RXhoaWJpdG9yXzE0NTI1Nzk="><span style="color: #ffa400;">Yokohama</span></a></p><p><br /></p><p>2023/11/17-19</p><p>nejico. “Out”</p><p>@<a href="https://askyoto.or.jp/e9/ticket/20231117"><span style="color: #ffa400;">Kyoto</span></a></p><p><br /></p><p>2023/10/21.22</p><p>Pijin Neji × mizutama</p><p>@Osaka</p><p><br /></p><p>2023/10/7-9</p><p>Shota Yamauchi & Maki Ueda</p><p>@<a href="https://kyoto-ex.jp/shows/2023_shotayamauchi-makiueda/"><span style="color: #ffa400;">Kyoto</span></a></p><p><br /></p><p>2023/09/29-10/1</p><p>Choy Ka Fai “UNBEARABLE DARKNESS”</p><p>@<a href="https://romaeuropa.net/festival-2023/unbearable-darkness/"><span style="color: #ffa400;">Roma</span></a></p><p><br /></p><p>2023/09/16-24</p><p>Pijin Neji “Cue” exhibition</p><p>@Osaka</p><p><br /></p><p>2023/03/04</p><p>Pijin Neji “STREAM”</p><p>@<a href="https://scool.jp/event/20230630/"><span style="color: #ffa400;">Tokyo</span></a></p><p><br /></p><p>2023/03/04</p><p>Pijin Neji “STREAM”</p><p>@<a href="http://nejiandco.com/576-2/"><span style="color: #ffa400;">Kyoto</span></a></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4482777560699733569.post-83711064083287536712021-11-21T12:45:00.007+09:002022-11-10T00:16:55.387+09:00schedule 2022<p>2022/12/09.10.11</p><p>OLTA “Nippon Ideology (tentative title)”</p><p>@<a href="https://ypam.jp/programs/dr80"><span style="color: #ffa400;">Yokohama</span></a></p><p><br /></p><p>2022/09/16.17</p><p>neji&co.“Cue”</p><p>@Toyooka</p><p><br /></p><p>2022/04/08-10</p><p>neji&co.“Sign” “Cue”</p><p>@Kyoto</p><p><br /></p><p>2022/02/09.10</p><p>Open Group Session</p><p><a href="https://www.saison.or.jp/en/topics/topics-air/online-research-residency-2021-22.html"><span style="color: #ffa400; font-size: x-small;">https://www.saison.or.jp/en/topics/topics-air/online-research-residency-2021-22.html</span></a></p><p><br /></p><p>2022/01/26</p><p>neji&co.“Cues”</p><p>@Kyoto </p><p><br /></p><p>2022/01/15</p><p>Online workshop</p><p><a href="https://www.saison.or.jp/en/topics/topics-air/online-research-residency-2021-22.html"><span style="color: #ffa400; font-size: x-small;">https://www.saison.or.jp/en/topics/topics-air/online-research-residency-2021-22.html</span></a></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4482777560699733569.post-71501431788342538282021-11-21T12:41:00.001+09:002021-11-21T12:46:09.859+09:00news&media<div>◯2021/11/19</div><div>セゾン文化財団 オンライン・リサーチ・レジデンシー 2021/22</div><div style="text-align: left;"><a href="https://www.saison.or.jp/topics/topics-air/オンライン・リサーチ・レジデンシー-2021-22-2.html"><span style="color: #ffa400; font-size: x-small;">https://www.saison.or.jp/topics/topics-air/オンライン・リサーチ・レジデンシー-2021-22-2.html</span></a></div><div><br /></div><div>◯2021/04/17</div><div>HAPSスタジオ使用者決定のお知らせ</div><div><a href="http://haps-kyoto.com/hapsstudio_2021/"><span style="color: #ffa400;">http://haps-kyoto.com/hapsstudio_2021/</span></a></div><div><br /></div><div>◯2020/09/25</div><div>THEATRE E9 KYOTO 第二期アソシエイトアーティスト発表</div><div><a href="https://askyoto.or.jp/info/7650"><span style="color: #ffa400;">https://askyoto.or.jp/info/7650</span></a></div><div><br /></div><div>◯2020/09/25</div><div>neji&co.WEB</div><div><a href="http://nejiandco.com"><span style="color: #ffa400;">http://nejiandco.com</span></a></div><div><br /></div><div>◯2020/08/01</div><div>城崎国際アートセンター<div>アーティスト・イン・レジデンス</div><div><span style="box-sizing: border-box; caret-color: rgb(0, 51, 89);"><font face="inherit">捩子ぴじん、三枝愛、島貫泰介<br style="box-sizing: border-box;" />『アンティゴネー(仮)』成果発表<br style="box-sizing: border-box;" />~葬送儀礼・墓跡と大逆事件関連史跡にまつわるリサーチと実践~</font></span></div></div><div><span style="box-sizing: border-box; caret-color: rgb(0, 51, 89);"><a href="http://kiac.jp/jp/events/6571"><font color="#ffa400">http://kiac.jp/jp/events/6571</font></a></span></div><div><br /></div>◯2019/11/13<br />ダンスカンパニー 「neji&co.」ダンサー募集<br /><a href="https://akichi-akichi.blogspot.com/2019/11/neji.html"><span style="color: orange;">https://akichi-akichi.blogspot.com/2019/11/neji.html</span></a><br /><br />◯2019/11/12<br />“ダンサーズ”定期練習メンバー募集<br /><a href="https://akichi-akichi.blogspot.com/2017/12/blog-post_7.html"><span style="color: orange;">https://akichi-akichi.blogspot.com/2017/12/blog-post_7.html</span></a><br /><br />◯2019/6/22.23<br />ダンス・レジデンス2019<br />捩子ぴじんダンスワークショップ<br />「からだをうごく/からだでうごく/からだがうごく」<br /><a href="https://www.toyohashi-at.jp/event/workshop.php?id=322"><span style="color: orange;">https://www.toyohashi-at.jp/event/workshop.php?id=322</span></a><br /><br />◯2019/02/16<br />KAC Performing Arts Program 2018/Contemporary Dance<br />カゲヤマ気象台「シティI・II・III」<br />主催:京都芸術センター<br />撮影:前谷開<br /><a href="https://www.flickr.com/photos/162250482@N05/sets/72157703403446032"><span style="color: orange;">https://www.flickr.com/photos/162250482@N05/sets/72157703403446032</span></a><br /><br />◯2019/01/20<br />gallop「石飛びこむ 鯉浮きあがる」<br />ポスト・パフォーマンス・トーク<br /><a href="https://www.facebook.com/events/2261681904066022/"><span style="color: orange;">https://www.facebook.com/events/2261681904066022/</span></a><br /><br />◯2019/01/06<br />第18回AAF戯曲賞トーク2 戯曲とは何か?<br /><a href="https://www-stage.aac.pref.aichi.jp/event/detail/000113.html#000113"><span style="color: orange;">https://www-stage.aac.pref.aichi.jp/event/detail/000113.html#000113</span></a><br /><br />◯2018/10/15<br />ステージナタリー「シティ3」演出インタビュー<br /><a href="https://natalie.mu/stage/pp/aaf02"><span style="color: orange;">https://natalie.mu/stage/pp/aaf02</span></a><br /><br />◯2018/9/7.8<br />エンゲキ・カフェ 声に出して読む演劇体験<br /><a href="http://www.city.nagakute.lg.jp/bunka/bunka_ie/butai/ri-dhinngu.html"><span style="color: orange;">http://www.city.nagakute.lg.jp/bunka/bunka_ie/butai/ri-dhinngu.html</span></a><br /><a href="http://isshiki-ccp.jp/event/"><span style="color: orange;">http://isshiki-ccp.jp/event/</span></a><br /><br />◯2018/9/6<br />「危口統之一◯◯◯」出版記念トークイベント<br /><a href="http://real.tsite.jp/kyoto-okazaki/"><span style="color: orange;">http://real.tsite.jp/kyoto-okazaki/</span></a><br /><br />◯2018/8/23.24.25<br />えんげきdeコミュニケーション<br /><a href="http://www.aac.pref.aichi.jp/gekijyo/syusai2018/detail/180823_ws_engeki/"><span style="color: orange;">http://www.aac.pref.aichi.jp/gekijyo/syusai2018/detail/180823_ws_engeki/</span></a><br /><br />◯2018/5/23<br />音で観るダンスのワークインプログレス アーカイブ<br /><span style="background-color: white;"><a href="http://otodemiru.net/"><span style="color: orange; font-family: inherit;">http://otodemiru.net</span></a></span><br /><br />◯2017/12/15.16<br />篠田千明・神村恵「さっきあった時間は今」<br />アフタートーク出演<br /><a href="http://soto-kyoto.jp/event/171215-16/"><span style="color: orange;">http://soto-kyoto.jp/event/171215-16/</span></a><br /><br />◯2017/8/6.19<br />CREATIVE AUDIO DESCRIPTION<br />音で観るダンスのワークインプログレス WORK SHOP 2, 3<br /><a href="http://www.kaat.jp/d/otodemiru_ws2_3"><span style="color: orange;">http://www.kaat.jp/d/otodemiru_ws2_3</span></a><br /><br />◯2017/7/19.20<br />CREATIVE AUDIO DESCRIPTION<br />音で観るダンスのワークインプログレス WORK SHOP 1<br /><a href="http://www.kaat.jp/d/otodemiru_ws"><span style="color: orange;">http://www.kaat.jp/d/otodemiru_ws</span></a><br /><br />◯2017/2/11<br />TPAM シンポジウム&トーク<br /><a href="https://www.tpam.or.jp/2017/?program=talk1&sf_action=get_results&_sft_cate=tpamexchange"><span style="color: orange;">https://www.tpam.or.jp/2017/?program=talk1&sf_action=get_results&_sft_cate=tpamexchange</span></a><br /><br /><br />◯2016/5/6-8<br />Our Masters Hijikata Tatsumi<br /><span style="line-height: 18px;"><방언/</span>glossolalia><br />(Curation:Pijin Neji)<br /><a href="https://www.youtube.com/watch?v=9mHrYr7LP6Y&list=PLum8lDELb928sC9Suwfd96bfxm317OO-n"><span style="color: orange;">https://www.youtube.com/watch?v=9mHrYr7LP6Y&list=PLum8lDELb928sC9Suwfd96bfxm317OO-n</span></a><br /><br /><br />◯2016/5/15<br /><span style="font-family: times, "times new roman", serif;">セゾン文化財団「viewpoint 74」</span><br /><a href="http://www.saison.or.jp/viewpoint/index.html"><span style="color: orange;">http://www.saison.or.jp/viewpoint/index.html</span></a><br /><br /><br />◯2015/6/11<br />創造都市横浜 捩子ぴじん最新作の稽古場から<br /><a href="http://yokohama-sozokaiwai.jp/eventreport/10894.html"><span style="color: orange;">http://yokohama-sozokaiwai.jp/eventreport/10894.html</span></a><br /><br /><br />◯2015/6/8<br />MAGCUL.NET 立ち呑み文化放談<br /><a href="http://magcul.net/focus/tachinomi5/"><span style="color: orange;">http://magcul.net/focus/tachinomi5/</span></a><br /><br /><br />◯2015/5/17<br />BONUS<br />捩子ぴじんのダンスのかたち<br /><a href="http://www.bonus.dance/interviews/05/"><span style="color: orange;">http://www.bonus.dance/interviews/05/</span></a><br /><br /><br />◯2015/5/11<br />Performing Arts Network Japan<br />“Recycling” Butoh<br />The artistic aesthetic of Pijin Neji<br />English<br /><a href="http://www.performingarts.jp/E/art_interview/1502/1.html"><span style="color: orange;">http://www.performingarts.jp/E/art_interview/1502/1.html</span></a><br />日本語<br /><a href="http://www.performingarts.jp/J/art_interview/1502/1.html"><span style="color: orange;">http://www.performingarts.jp/J/art_interview/1502/1.html</span></a><br /><br /><br />◯2014/12/10<br /> 福岡市文化芸術振興財団「Wa」vol.64<br />チョン・ヨンドゥ×捩子ぴじん<br /><span><a href="http://www.ffac.or.jp/wa_organ/webbook/vol64/m/index.html#page=1"><font color="#ffa400">http://www.ffac.or.jp/wa_organ/webbook/vol64/m/index.html#page=1</font></a></span><br /><div><br /></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4482777560699733569.post-21768424776823481402021-10-19T21:23:00.001+09:002021-11-21T12:42:09.630+09:00schedule 2021<p>2021/6/4.5</p><p>neji&co. “Cue”</p><p>@<a href="https://askyoto.or.jp/e9/ticket/20210605"><span style="color: #ffa400;">Kyoto</span></a></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4482777560699733569.post-46800307696223314812014-09-26T14:24:00.002+09:002022-02-05T15:38:39.894+09:00profile<blockquote style="line-height: 16px;" type="cite">
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<span style="color: #444444; font-family: inherit;"><span>Pijin Neji</span> </span></div>
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<div dir="ltr"><span style="background-color: white; caret-color: rgb(30, 30, 30); white-space: pre-wrap;"><span style="color: #444444; font-family: inherit;">Dancer/choreographer. Represents neji&co. He danced in the butoh company Dairakudakan directed by Maro Akaji until 2004, and developing on his physicality based on butoh, he started to create solo dances with microscopic approach to his own body and choreographic works with materialist approach to the bodies of the dancers. He received the Yokohama Dance Collection EX Jury Prize and was selected in the Festival/Tokyo’s Emerging Artists Program for F/T Award in 2011. In 2016, he curated “Our Masters – Hijikata Tatsumi <방언/glossolalia>” the at the Asia Culture Center in Gwangju, Korea. 2021-2023 THEATRE E9 KYOTO associate artist. 2022-2024 The Saison Foundation Saison Fellow.</span></span></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4482777560699733569.post-83772404315287233852014-09-25T23:05:00.000+09:002019-09-24T23:14:47.813+09:00Purgative Rhythm Mix<span style="color: #444444;">Purgative Rhythm Mix</span><br />
<span style="color: #444444;"><span style="font-family: inherit;">Concept, Direction : Pijin Neji</span></span><br />
<span style="color: #444444; font-family: inherit;">Choreographer: Pijin Neji Yanchi.</span><br />
<span style="color: #444444; font-family: inherit;">Performer: Yanchi. Pijin Neji</span><br />
<span style="color: #444444; font-family: inherit;">Sound design:Daisuke Hoshino</span><br />
<span style="color: #444444; font-family: inherit;">Lighting design:Nami Nakayama</span><br />
<span style="color: #444444;"><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit;">The first part of the show was made in the project to put audio description for visually impaired person to enjoy contemporary dance. The audio descriptions were made by the choreographer, Noh actor and rapper, etc. The dance is performed without audio description for sighted people. The second part is the dance which emerged from two different backgrounds, HOUSE and BUTOH. Sometimes looking like Butoh, or robotic dance of the mollusks, this show feels kind, docile and pleasant. The creation process was exchanging and mixing each technique from the two different bodies, creating new GROOVE with macro beat and micro movements.</span></span><br />
<span style="font-family: inherit;"><br /></span><a href="https://www.youtube.com/watch?v=L-5ftDhzcm4"><span style="color: orange;">https://www.youtube.com/watch?v=L-5ftDhzcm4</span></a>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4482777560699733569.post-45347202221318030802014-09-24T21:30:00.000+09:002019-09-24T23:10:42.443+09:00no titleno title<br />
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concept, direction : Pijin Neji<br />
house dance lesson : YANCHI.<br />
dancer : YANCHI., Pijin Neji<br />
stage manager : Megumi Sato<br />
lighting design : Nami Nakayama<br />
lighting operator : Masayo Okano<br />
sound design : Daisuke Hoshino<br />
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TOYOTA CHOREOGRAPHY AWARD NEXTAGE<br />
3/Aug/2014 Setagaya public theater<br />
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<a href="https://www.youtube.com/watch?v=-bCLcDt2kuc&list=UU-e-rJK86Yo5LJ3r4-H2bVw"><span style="color: orange;">https://www.youtube.com/watch?v=-bCLcDt2kuc&list=UU-e-rJK86Yo5LJ3r4-H2bVw</span></a>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4482777560699733569.post-80721922758242084162014-08-11T14:21:00.001+09:002019-09-24T23:10:15.400+09:00air or fart<b style="font-weight: normal;"><span style="color: #666666; font-family: inherit;">air or fart</span></b><br />
<b style="font-weight: normal;"><span style="color: #666666; font-family: inherit;">Concept, Direction, Choreography : Pijin Neji</span></b><br />
<b style="font-weight: normal;"><span style="color: #666666; font-family: inherit;">Cast : Ken Shinohara, Kento Kanno, Rie Wakabayashi, Pijin Neji</span></b><br />
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<b style="font-weight: normal;"><span style="color: #666666; font-family: inherit;">Music : Ken Shinohara, Kento Kanno</span></b><b style="font-weight: normal;"><span style="background-color: transparent; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"><br /></span></b></div>
<b style="font-weight: normal;"><span style="background-color: transparent; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"><span style="color: #666666;"></span></span></b><br />
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<b style="font-weight: normal;"><span style="background-color: transparent; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"><span style="color: #666666;"><br /><span style="font-family: inherit;"></span></span></span></b></div>
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<b style="font-weight: normal;"><span style="background-color: transparent; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"><span style="color: #666666;"><span style="font-family: inherit;">Yokohama Red Brick Warehouse Number 1, 3F Hall <span style="background-color: transparent; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"> </span></span></span></span></b></div>
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</span><span style="color: #666666;"><span style="background-color: transparent; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;">Yokohama Dance Collection EX2014 Performance by Former Prizewinner</span>
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<b style="font-weight: normal;"><span style="background-color: transparent; font-family: inherit; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"><A TPAM Showcase Program></span></b><br />
<b style="font-weight: normal;"><span style="font-family: inherit;"><span style="background-color: transparent; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"><br /></span></span></b>
<b style="font-weight: normal;"><span style="font-family: inherit;"><span style="background-color: transparent; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;">After the March 2011 nuclear accident in Fukushima, the Internet was filled with suggestions for how to protect oneself against radiation. One proposal involved lactic-acid bacilli, a kind of bacteria, grown in water that has been used for washing rice. (White rice is washed before cooking.) The recipe called for adding salt and sugar to the water and leave it in a warm place. The bacteria would grow, and when someone drank the resulting liquid, they would strengthen the body’s immune system. According to some blogs and other sites, radioactive substances inside the body would be consumed by the bacteria, which were transformed into macrophages, protecting the body against exposure to radiation. Cult-like and totally outrageous: that’s what this health tip was called. But in 2013, two years after the nuclear accident, I decided on a whim to grow my own lactic-acid bacilli in water used to wash rice at my home. Via the Internet, I purchased unpolished rice from Kyushu and natural salt and brown sugar from Okinawa. I washed the rice in mineral water, then added a small amount of the salt and sugar to the water and poured them into a PET bottle. Warming the bottle with these ingredients in the middle of winter in Tokyo, I saw small bubbles appear. Something was clearly alive there. I placed the bottle in front of the space heater, took it into the bath with me, held it on my chest under the comforter as I slept. The result was clearly different from what I had started with. The PET bottle was so filled with bubbles that its shape was distorted. Thinking that the time was right, I added a little of the liquid to soy milk, warmed the mixture for a day, and I had homemade soy milk yoghurt. I continue to eat it to this today.</span>
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</span><span style="color: #666666;"><span style="background-color: transparent; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;">In May 2013 I participated in the Kanda Festival in Kanno Kentō’s neighborhood of Tokyo, Awajicho, helping to carry the </span><span style="background-color: transparent; font-style: italic; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;">omikoshi</span><span style="background-color: transparent; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;">, the sedan chair in which the god rides. The Kanda Festival, labelled one of the Big Three festivals in Japan, is enormous. It is normally held every other year, but was not in 2011 because of the disaster in the Tohoku. Since the 2013 festival was the first in four years, the participants were extra excited. The gods celebrated in this festival are those worshipped at the Kanda Myojin Shrine and include Taira no Masakado, a warrior who rebelled against the central government. The space was jammed with “Edokko,” natives of Tokyo. The kind of caustic humor you can hear in Rakugo performances filled my ears. The atmosphere was lively, with, given the worship of an enemy of the imperial court, an anti-establishment vibe. This was Tokyo, another Tokyo, a Tokyo of which I, born and raised in Akita, had been unaware. The fierce pride I sensed raised goosebumps on my skin.</span></span>
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<span style="color: #666666; font-family: inherit;">I think of the Kanda Festival whenever I eat my soy milk yoghurt made with lactic-acid bacilli grown in water used to wash rice. The image of those little bacteria, unsterilized, circulating through my intestines, battling bad bacteria, is connected for me with the pride I sensed at the Kanda Festival, which refuses to disappear in a globalizing world. Those lactic-acid bacilli, who come alive and make their bubbles in the bath or snuggled up with me under my comforter, embody the same human and local character as those who parade carrying the omikoshi in that festival. When that yoghurt slides down my throat, I feel the omikoshi biting into aching shoulders and hear its bearers’ enthusiastic shouts as they heave it about. Apart from hope for my own health, there is some inexpressible desire embodied in my eating my soy milk yoghurt. It is like that “Oh, I’ve done it” sensation we feel when we fart. In Japanese, we don’t just “break wind.” A wind emerges. A desire pent up within us erupts, like that wind. If we believe that art’s goal is a healthy humanity, that crazy association is inescapable.</span><br />
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</span></b><b style="font-weight: normal;"><span style="background-color: transparent; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;">*In the foyer, you can taste my homemade soy milk yoghurt made with lactic-acid bacilli grown in water used to wash rice. If you would like to give it a try, just say so. The yoghurt has not gone through a health inspection. The performers have eaten it and experienced no physical ill effects, but eat it at your own risk. </span></b></span><b style="font-weight: normal;"><span style="font-family: inherit;">
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<a href="https://www.youtube.com/watch?v=pDxOeEhYr5Y"><span style="color: orange;">https://www.youtube.com/watch?v=pDxOeEhYr5Y</span></a></span>
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<br />Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4482777560699733569.post-76145273517883152172013-07-12T20:15:00.000+09:002019-09-24T23:07:27.141+09:00the acting motivation<span style="background-color: rgba(255, 255, 255, 0);">the acting motivation<br />Concept, Direction : Pijin Neji<br />Cast : Kaoru Soya (BUNGAKUZA), Shintaro Wada, Pijin Neji<br />Stage Manager : Chikage Yuyama<br />Lighting Design : Nami Nakayama<br />Sound Design : Norimasa Ushikawa<br />Sound Operate : Akino Hayashi<br />Video : Minoru Ide<br />English subtitle/an interpreter : Tomoko Momiyama<br />Photo : Ujin Matsuo<br />Publicity Design : Noriko Yatsuhashi<br />Production Support : PLATEAU<br />Special Support : KOGANEI ART SPOT Chateau2F<br />duration : 100min<br />prize : Festival/Tokyo F/T Award</span><br />
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<span style="background-color: rgba(255, 255, 255, 0);">This self-documentary theatre work is themed around Pijin Nejin's own experiences with part-time work. It will also feature Nejin's colleague at the conveniencestore where he works, Shintaro Wada, as well as the actress Kaoru Soya, who is attached to the BUNGAKUZA, a theatre company established 74 years ago. It will draw on the actuallives of the three performers for its material, comparing and analyzing their social positions and workdescriptions, and looking at the balance between performing and retail work, between artistsand the so-called freeter, between actors and dancers…<br /><br />Currently in Japan the numbers of freeter (people not working in permanent or stable full-time employment, often regarded as drifters) are increasing while the issue of the ageing society is also becoming chronic. Theatre artists could also be labeled as people chasing their dreams, since they work on their creative activities while also doing part-time jobs. Thus, the occupation of being an "artist" means to continue artistic activities while working part-time: essentially, a freeter. The actors, dancers, choreographers, performers, musicians, and artists interviewed as part of the research for this project support themselves through part-time work and indeed many of them could be classified as "dream-chasing" freeter. However, they are almost all aware of the impossibility of actually in the future being able to make a living solely as an artist, and yet they still continue to produce creative and artistic work. This performance will look at the dilemmas of motivation for these artists to keep on going with their creative work; at how they are able to make ends meet through part-time shop work; whether in fact they are just the same as other part-timers at a convenience store; and ultimately what is an artist.<br /><br />First the three performers introduce each other. Actor and dance Neji will then look at definitions of "service work", drawing on texts from playwright Oriza Hirata, Butoh dancer Tatsumi Hijikata, and sociologists Macdonald and Sirianni. There will also feature the </span><span style="background-color: rgba(255, 255, 255, 0);">poetry of Kaoru Soya's late mother, a poet. Other elements in the piece include: Soya's "proof" that she is a professional performer; the dialogue from Neji's audition for a film role; the work manual for the convenience store where Neji is employed; the way the body looks when working; security camera footage of the workers at the Fukushima Daiichi nuclear power plant; security camera footage of Neji whilst working at the store; fast food sold at Neji's workplace; the story of Shitaro Wada's father, who was a manager at a Kentucky Fried Chicken outlet; the monotonous phrases convenience store staff have to use; and even Skype conversations with the colleagues working Neji and Wada's regular shifts at the store while they are performing.</span>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4482777560699733569.post-25352650149995176802013-07-12T20:05:00.000+09:002019-09-24T23:07:12.587+09:00syzygy<span style="background-color: rgba(255, 255, 255, 0);">syzygy<br />choreography ; Pijin Neji<br />dancer : Megumi Kamimura/Mari Fukutome<br />music : Kuri Suzuki<br />photo : Kazuyuki Matsumoto<br />duration : 35minutes<br />prize : Jury Prize(grand prix) Yokohama Dance Collection EX 2011<br /><br />A piece of choreography that traces the qualitative changes of the body through a sonic approach, focusing on the temporal changes in the sensations of dancers who execute tasks and sound that their movements generate. Two dancers undergo potential relationships with four pillars and one board.<br />Mediated by thefunctions of simple movements such as to stand, to fall or to lie, the body becomes equivalent to objects. Repetition of movements = labor and sound of banging the body and wooden materials on the floor echoes and accumulates in the eyes and ears. When the dancers are de-humanized and the concreteness of the body serves rhythm and phrases, "syzygy "delivers the texture of an abstract world and excitement.</span><br />
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<span style="background-color: rgba(255, 255, 255, 0);"><span style="font-family: ".helveticaneueui"; font-size: 15px; line-height: 19px; white-space: nowrap;"><a href="http://www.youtube.com/watch?v=DTe8tj_SOPo">http://www.youtube.com/watch?v=DTe8tj_SOPo</a></span></span><br />
<span style="background-color: rgba(255, 255, 255, 0);"><br /></span>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4482777560699733569.post-87437708933353965332013-07-11T20:00:00.000+09:002019-09-24T23:06:59.021+09:00NJPJN<span style="background-color: rgba(255, 255, 255, 0);"><span style="font-family: inherit;">NJPJN<br />choreography/performance : Pijin Neji<br />music : Kuri Suzuki<br />costume : Maya<br />duration : 35minutes<br />co-production : CCN d’Orleans with the programme accueil-studio 2008,<br />Ministere de la Culture et de la communication<br /><br />5 6/December/2008 Studio Jean Babilee<br />the Orleans National Choreographic Center(CCNO-France) Traverses<br /><br />Technical direction of Traverses : Steven le Corre<br />assisted by Alexandre De Monte ("permanents")<br />Lighting : Thierry Bouilhet, Lionel Colet, Jerome Lebfevre, Raoul Pierson<br />Stage : Sylvain Blocquaux, Arnaud Boudeau Seneganik, Gilles Rodriguez<br />Sound : Nicolas Mechin<br />Video : Thierry Thibaudeau<br /><br />Special Thanks to Mariko Aoyama</span></span><br />
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<span style="background-color: rgba(255, 255, 255, 0);"><a href="http://youtu.be/QmaWllUCg60">http://youtu.be/QmaWllUCg60</a></span>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-4482777560699733569.post-27297667146525059972000-06-01T14:22:00.003+09:002020-12-23T01:32:37.342+09:00archives<span style="color: #666666; font-family: inherit; font-size: xx-small;"><span>2000年〜2004年 大駱駝艦</span><br />
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2005年 1月 「呪い」ラボ5~20#17(キュレーター:伊藤キム) STスポット</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2005年10月 「振子」ラボセレクションーSTスポット</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2005年11月 横浜ダンス界隈#2 ーBankART studio NYK、他</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2006年-2007年 ジョセフ・ナジ「遊*ASOBU」出演</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2007年 1月 「フルエテ!透明」 ダンスが見たい!新人シリーズー神楽坂dieplatz</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2008年1月 虹 (企画:エナメル小玉)ー現代美術製作所</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2008年2月 道場破り(企画:手塚夏子)ー篠原の里</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2008年4月 「タッチ」ーいずるば</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2008年6月 実験ユニット「匿名的断片」ー門仲天井ホール</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2008年8月 山縣美礼「こなたかなた」出演ー駒場アゴラ劇場</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2008年9月 ディック・ウォン「Encounter」出演(企画:Dance Asia)ー森下スタジオ</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2008年12月 「NJPJN」 traverses2008ーオルレアン振付センター</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2009年4月 「syzygy」glow up!Dance projectーアサヒアートスクエア</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2009年5月 「syzygy」WRONG DANCE , RIGHT STEPSーVACANT</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2009年5月 53235イベントーOn going</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2009年5月 道場破り〜復讐戦(企画:手塚夏子)ー篠原の里</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2009年6月 「track of traces」新人振付家のためのスタジオシリーズ(キュレーター:手塚夏子)ーアーキタンツスタジオ</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2009年7月 「NJPJN」dies de dansa ーバルセロナ、他</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2009年8月「あの世」夏のサミット(ディレクター:杉原邦生)ー駒場アゴラ劇場</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2009年10月 「停電EXPO」 横浜国際映像祭ー新港ピア</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;"><span>2009年11月 大野一雄フェスティバル〜横浜迷宮劇場ーBankART Studio NYK</span><br />
<span>2009年12月 V.I.I.M. Session-三軒茶屋Heaven's Door</span></span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2009年12月 新鋪美佳作品 出演 INSIDE/OUT 建築の時間・ダンスの瞬間ー世田谷美術館</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2010年2月 新鋪美佳「ドレみ空」 Wedance2010ー横浜開港記念会館</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2010年2月「4damages」 Wedance2010ー横浜開港記念会館</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2010年3月 「syzygy」 TPAMインターナショナルショーケースー東京芸術劇場</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2010年3月 神村恵「385日」出演ー世田谷美術館</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2010年5月 神村恵「385日」出演 深川ダンスチョロッシングーSNAC</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2010年5月 空き地vol.1(企画:神村恵、捩子ぴじん)ー小金井シャトー2F</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2010年7月 神村恵「配置と森」出演 トヨタコレオグラフィーアワード最終審査会ー世田谷パブリックシアター</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2010年7月 実験ユニット WOSK Vol.9ーSuper Delux</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2010年8月「おかあさんといっしょ」 ゼロダテ展ーオナリ座</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2010年10月「モチベーション代行」ーシャトー2F</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2010年11月「モチベーション代行」 京都国際舞台芸術祭フリンジ企画HAPPLAYーアトリエ劇研</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2011年2月 We dance2011ディレクター</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2011年2月 「syzygy」 横浜ダンスコレクションー赤レンガ倉庫</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2011年5月 実験ユニット「実験地獄〜生きたいから反応する」ー小金井シャトー2F</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2011年7月 紐霧泡イベントー小金井シャトー2F</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2011年10月 「モチベーション代行」 フェスティバルトーキョー公募プログラムー池袋シアターグリーン</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2012年2月 faifai「アントン猫クリ」出演ーnitehi works</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2012年3月 「観光/field work」KASHIMA2012ー永久別府劇場</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2012年4月「モチベーション代行」 FESTIVAL BO:Mーソウル</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2012年4月 実験ユニットー永久別府劇場</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2012年7月 faifai「アントン猫クリ」出演 トヨタコレオグラフィーアワード最終審査会ー世田谷パブリックシアター</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2012年10月 「over cage」 蓮沼執太のスタディーズ 9:STUDIES(for Event)ーアサヒアートスクエア</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2012年11月 ASA-CHANG&巡礼「新アオイロ劇場」出演 京都国際舞台芸術祭ー京都芸術センター</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2012年11月 捩子ぴじん×梅田哲也 TRANS ARTS TOKYOー旧東京電機大学</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2012年12月 手塚夏子「私的解剖実験6」出演ーart space tetra</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2013年1月 手塚夏子「私的解剖実験6」出演ーSTスポット</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2013年2月 手塚夏子「私的解剖実験6」出演ーダンスボックス</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2013年8月 吾妻橋ダンスクロッシングーアサヒアートスクエア</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2013年8月 フラムドールのある家ーアサヒアートスクエア</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2013年9月 舞踏・舞踊フェスティバルinAKITAーエリアなかいち</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2013年9月 演技、日曜日ーOn going</span></div>
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<span style="color: #666666; font-family: inherit; font-size: xx-small;">2013年11月-12月 faifai「アントン猫クリ」アメリカツアー</span></div>
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<span><span><span>-2014</span></span></span></span></div>
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<span style="color: #666666; font-family: inherit; font-size: x-small;"><span><span><span>2/11「air or fart」@</span><a href="http://www.tpam.or.jp/2014/program/showing/tpamshowcase/ydc_pijin_neji/?lang=en"><span>Yokohama</span></a></span><span><span></span></span></span><br />
<span><span><span>2/22-3/9 Tetsuya Umeda「0才」 <span style="background-color: rgba(255, 255, 255, 0);">@<a href="http://breakerproject.net/archives/000135.php"><span>Nishinari</span></a></span></span></span><span></span></span></span></div>
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<span style="color: #666666; font-family: inherit; font-size: x-small;"><span><span>3/21-22「Top of the 0th inning, Bottom of the 0th inning」@</span><a href="http://festivalbom.org/0th-inning/"><span>Seoul</span></a><span></span></span><br />
<span><span>4/11-12「10 Years in 1 Minute-Transition」@</span><a href="http://festivalbom.org/program/festival-bom-in-busan/"><span>Busan</span></a><span></span></span><br />
<span><span>4/18.20「Anton Neko Kuri」@</span><a href="http://faifai.tv/news/faifai/2145/"><span>Fukuoka</span></a><span></span></span><br />
<span><span>6/21-22 <span style="background-color: rgba(255, 255, 255, 0);">PLAN-Co. #1 「</span><span style="background-color: rgba(255, 255, 255, 0);">소리, 소문도 없이」 </span>@</span><a href="http://www.ligarthall.com/program_detail.asp?place=&yy=2014&mm=0&num=748&lng=k&section=P"><span>Busan</span></a><span></span></span><br />
<span><span>7/26 Torikouen reading&talk @</span><a href="http://torikouen.tumblr.com/post/91951103861/7-26-2"><span>Yokohama</span></a><span></span></span><br />
<span><span>8/3 TOYOTA CHOREOGRAPHY AWARD @</span><a href="http://www.toyota.co.jp/jpn/sustainability/social_contribution/society_and_culture/tca/2014/nextage.html"><span>Tokyo</span></a></span></span></div>
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<span style="color: #666666; font-family: inherit; font-size: x-small;"><span>9/6 Asahi Art Square Long Party vol.2</span><br />
<span><span>10/25 DIG AKITA @</span><a href="http://www.mediaarts-akita.jp/"><span>Akita</span></a></span></span></div>
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<span style="color: #666666; font-family: inherit; font-size: x-small;"><span><span>11/13-16</span><span> 「10 YEARS IN 1 MINUTE」</span><span>@</span><a href="http://www.festival-tokyo.jp/14/en/program/10-years-in-1-minute.html"><span>Tokyo</span></a></span><br />
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<span style="color: #666666; font-family: inherit; font-size: x-small;"><span>12/5.7「Anton Neko Kuri」 @</span><a href="https://www.facebook.com/events/1396120940633392/"><span>Berlin</span></a></span></div>
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<span style="color: #666666; font-family: inherit; font-size: x-small;"><span>12/13 Isak Immanuel @</span><a href="http://torindo.org/residence-program%E3%80%80%E4%BD%9C%E5%93%81%E7%99%BA%E8%A1%A8/"><span>Kobe</span></a></span></div>
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<span><span><span face="-webkit-standard">-2015</span></span></span></span></div>
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<span style="color: #666666; font-family: inherit; font-size: x-small;">4/1〜 BONUSダンス演習室 <a href="http://www.bonus.dance/creation/16/"><span>http://www.bonus.dance/creation/16/</span></a></span></div>
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<span style="color: #666666; font-family: inherit; font-size: x-small;">6/25-27「Urban Folk Entertainment」 @<a href="http://urban-folk-entertainment.net/"><span>Yokohama Red Brick Warehouse No.1 Hall</span></a></span></div>
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<span style="color: #666666; font-family: inherit; font-size: x-small;">9/19-20 Toshiki Okada「God Bless Baseball」 @<a href="http://asianartstheatre.kr/board/AatList2?BN_BU_KEYNO=BU_0000000135&BN_ATT_DIV=CD_0000001461"><span>Gwangju</span></a></span></div>
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<span style="color: #666666; font-family: inherit; font-size: x-small;">10/31 「10 YEARS IN 1 MINUTE」 @<a href="http://www.dansehallerne.dk/en/performance/works-at-work-duo-work/"><span>Copenhagen</span></a></span></div>
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<span style="color: #666666; font-family: inherit; font-size: x-small;">11/6 Nora @<a href="http://nora116.blogspot.jp/2015/10/blog-post_64.html?m=1"><span>Fukuoka</span></a></span></div>
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<span style="color: #666666; font-family: inherit; font-size: x-small;">11/19-29 Toshiki Okada「God Bless Baseball」@<a href="http://www.festival-tokyo.jp/en/index.html"><span>Tokyo</span></a></span></div>
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<span style="color: #666666; font-family: inherit; font-size: x-small;">12/7 whenever wherever festival 2015 @<a href="http://bodyartslabo.com/wwfes2015/festival/program"><span>Tokyo</span></a></span></div>
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<span style="color: #666666; font-family: inherit; font-size: x-small;">12/16 BONUS @<a href="http://www.bonus.dance/creation/27/"><span>Tokyo</span></a></span></div>
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<span style="color: #666666; font-family: inherit; font-size: x-small;">-2016</span></div><div><span style="color: #666666; font-size: x-small;"><span style="font-family: inherit;">11/18 ARTIST ON SITE @</span><span style="font-family: inherit;"><a href="https://saitamatriennale.jp/event/2148">Saitama</a></span></span></div><div><span style="color: #666666; font-size: x-small;"><span style="font-family: inherit;">10/1-31 ART FESTIVAL HANARART 2016 @</span><span style="font-family: inherit;"><a href="http://hanarart.jp/" style="font-family: inherit;">Nara</a></span></span></div><div><span style="color: #666666; font-size: x-small;"><span style="font-family: inherit;">9/30.10/1 Toshiki Okada “God Bless Baseball” @</span><span style="font-family: inherit;"><a href="http://www.ozasiafestival.com.au/events/god-bless-baseball/" style="font-family: inherit;">Adelaide</a></span></span></div><div><span style="color: #666666; font-size: x-small;"><span style="font-family: inherit;">9/15-17 Toshiki Okada “God Bless Baseball” @</span><span style="font-family: inherit;"><a href="http://www.taipeifestival.org.tw/FilmContent.aspx?ID=435" style="font-family: inherit;">Taipei</a></span></span></div><div><span style="color: #666666; font-size: x-small;"><span style="font-family: inherit;">7/8-31 off the dramatic passions @</span><span style="font-family: inherit;"><a href="http://www.akumanoshirushi.com/neg.htm" style="font-family: inherit;">Tokyo</a></span></span></div><div><span style="color: #666666; font-size: x-small;"><span style="font-family: inherit;">6/9.10 Toshiki Okada “God Bless Baseball” @</span><span style="font-family: inherit;"><a href="https://www.theaterformen.de/de/programm/god-bless-baseball" style="font-family: inherit;">Brunswick</a></span></span></div><div><span style="color: #666666; font-size: x-small;"><span style="font-family: inherit;">5/6-8 Our Masters Hijikata Tatsumi </span><span style="font-family: inherit; line-height: 18px;"><방언/glossolalia> </span><span style="font-family: inherit; line-height: 18px;">@</span><span style="font-family: inherit; line-height: 18px;"><a href="https://www.youtube.com/watch?v=9mHrYr7LP6Y&list=PLum8lDELb928sC9Suwfd96bfxm317OO-n" style="font-family: inherit; line-height: 18px;">Gwangju</a></span></span></div><div><span style="color: #666666; font-size: x-small;"><span style="font-family: inherit;">4/23 Contemporary Talk @</span><span style="font-family: inherit;"><a href="https://www.doosanartcenter.com/community/notice_view.asp?idx=502&page=16" style="font-family: inherit;">Seoul</a></span></span></div><div><span style="color: #666666; font-size: x-small;"><span style="font-family: inherit;">2/27.28 Sound Performance Platform @</span><span style="font-family: inherit;"><a href="http://www.aac.pref.aichi.jp/syusai/spp_bosyu/index.html" style="font-family: inherit;">Aichi</a></span></span></div><div><span style="color: #666666; font-size: x-small;"><span style="font-family: inherit;">2/20.21 Ko Murobushi Festival @</span><span style="font-family: inherit;"><a href="http://ko-murobushi.com/outside-2015/" style="font-family: inherit;">Yokohama</a></span></span></div><div><span style="color: #666666; font-size: x-small;"><span style="font-family: inherit;">1/14-2/13 Toshiki Okada “God Bless Baseball” @</span><a href="http://www.broadwayworld.com/article/Japan-Society-to-Present-Toshiki-Okadas-GOD-BLESS-BASEBALL-in-January-20151221" style="font-family: inherit;"><span>USA</span></a></span></div>
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<span style="color: #666666; font-family: inherit; font-size: x-small;"><span>-2017</span><br />
<span><span>11/27 Zero-Ba </span><span>@</span><a href="http://tokyo-festival.jp/news/1279/"><span>Tokyo</span></a></span><br />
<span><span>11/10 Open Rehearsal : Choy Ka Fai </span><span>@</span><a href="http://tanzhaus-nrw.de/main_pages/offene-probe-von-choy-ka-fai"><span>Dusseldorf</span></a></span><br />
<span><span>9/28.29 Tetsuya Umeda </span><span>COMPOSITE:VARIATIONS(の素)/SCOOL/5人 </span><span>@</span><a href="http://scool.jp/event/20170928/"><span>Tokyo</span></a></span><br />
<span><span>9/23 Tetsuya Umeda </span><span>Things That Do Know </span><span>@</span><a href="http://siaf.jp/en/projects/wakaranai"><span>Sapporo</span></a></span><br />
<span><span>9/16 CREATIVE AUDIO DESCRIPTION </span><span>音で観るダンスのワークインプログレス </span><span>@</span><a href="http://www.kaat.jp/d/ws916"><span>Yokohama</span></a></span><br />
<span><span>6/15-18 Isak Immanuel </span><span>WIND STATIONS </span><span>@</span><a href="http://counterpulse.org/event/wind-stations/"><span>San Francisco</span></a></span><br />
<span><span>5/5-14 Tetsuya Umeda </span><span>Composite Variations/Circle </span><span>@</span><a href="http://www.kfda.be/en/program/composite"><span>Brussel</span></a></span><br />
<span><span>4/14.15 Tetsuya Umeda </span><span>COMPOSITE:VARIATIONS(の元)/外/四人 </span><span>@</span><a href="http://soto-kyoto.jp/event/170414-15/"><span>Kyoto</span></a></span><br />
<span><span>3/29 Isak Immanuel </span><span style="background-color: white;">Work-in-Progress of "Tableau Stations/我が宿をいづくと問はば" </span><span>@</span><a href="http://kiac.jp/en/artists/3779"><span>Kinosaki</span></a></span><br />
<span><span>2/28 around the test#01 </span><span>@</span><a href="https://www.facebook.com/Aroundthetest/"><span>Kyoto</span></a></span><br />
<span><span>2/11 Symposia & Talk </span><span>@<a href="https://www.tpam.or.jp/2017/en/?program=talk1&sf_action=get_data&sf_data=all&_sft_cate=tpamexchange"><span>Yokohama</span></a></span></span><br />
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<span>-2018</span><br />
<span>12/7-9 Chisato Minamimura Sound of light : Sound of shadow @<a href="https://www.owlspot.jp/events/performance/post_67.html"><span>Tokyo</span></a></span><br />
<span>10/26-28 Kisyodai Kageyama CITY III @<a href="http://www.aac.pref.aichi.jp/gekijyo/syusai2018/detail/181027_aaf/"><span>Aichi</span></a></span><br />
<span>10/11 Purgative Rhythm Mix @<a href="http://www.sidance.org/2018english/program/prgmN_view.php?num=481&ckattempt=1"><span>Seoul</span></a></span><br />
<span>9/17 CREATIVE AUDIO DESCRIPTION</span><br />
<span>Dance in Sound work in progress/performance & talk @<a href="http://www.kaat.jp/d/OTOsession20180917"><span>Yokohama</span></a></span><br />
<span>8/16 Meeting 3 @<a href="https://www.facebook.com/Space-bubu-159799338017140/"><span>Kyoto</span></a></span><br />
<span>7/20.22 Choy Ka Fai UnBearable Darkness @<a href="https://www.impulstanz.com/en/performances/2018/id1204/"><span>Vienna</span></a></span><br />
<span>6/28-30 Choy Ka Fai UnBearable Darkness@<a href="http://tanzhaus-nrw.de/main_pages/choy-ka-fai--7"><span>Dusseldorf</span></a></span><br />
<span>2/12.13 Choy Ka Fai UnBearable Darkness (work-in-progress) @</span><span><a href="https://www.tpam.or.jp/program/2018/en/?program=unbearable-darkness"><span>Yokohama</span><span> </span></a></span></span></div><div style="line-height: 24px;"><span style="color: #666666; font-family: inherit; font-size: x-small;"><br /></span></div><div style="line-height: 24px;"><span style="font-size: x-small;"><span style="background-color: white; caret-color: rgb(102, 102, 102); color: #666666; font-family: inherit;">-2019</span></span></div><div style="line-height: 24px;"><span style="color: #666666; font-family: inherit; font-size: x-small;"><span><span face=""Trebuchet MS", Trebuchet, Verdana, sans-serif" style="background-color: white; caret-color: rgb(102, 102, 102);">12/27 </span><span face=""Trebuchet MS", Trebuchet, Verdana, sans-serif" style="background-color: white; caret-color: rgb(102, 102, 102);">Tetsuya Umeda“On the origin of voices” </span><span face=""Trebuchet MS", Trebuchet, Verdana, sans-serif" style="background-color: white; caret-color: rgb(102, 102, 102);">@</span><a href="https://www.fukuoka-art-museum.jp/en/exhibition/umedatetsuya-en/" style="text-decoration: none;"><span>Fukuoka</span></a><br style="caret-color: rgb(102, 102, 102);" /><span face=""Trebuchet MS", Trebuchet, Verdana, sans-serif" style="background-color: white; caret-color: rgb(102, 102, 102);">12/13.14 </span><span face=""Trebuchet MS", Trebuchet, Verdana, sans-serif" style="background-color: white; caret-color: rgb(102, 102, 102);">Okazaki Art Theatre </span><span face=""Trebuchet MS", Trebuchet, Verdana, sans-serif" style="background-color: white; caret-color: rgb(102, 102, 102);">“+51 Aviation, San Borja” </span><span face=""Trebuchet MS", Trebuchet, Verdana, sans-serif" style="background-color: white; caret-color: rgb(102, 102, 102);">@Mexico</span><br style="caret-color: rgb(102, 102, 102);" /><span face=""Trebuchet MS", Trebuchet, Verdana, sans-serif" style="background-color: white; caret-color: rgb(102, 102, 102);">12/19.20 </span><span face=""Trebuchet MS", Trebuchet, Verdana, sans-serif" style="background-color: white; caret-color: rgb(102, 102, 102);">Okazaki Art Theatre </span><span face=""Trebuchet MS", Trebuchet, Verdana, sans-serif" style="background-color: white; caret-color: rgb(102, 102, 102);">“+51 Aviation, San Borja” </span><span face=""Trebuchet MS", Trebuchet, Verdana, sans-serif" style="background-color: white; caret-color: rgb(102, 102, 102);">@Peru</span><br style="caret-color: rgb(102, 102, 102);" /><span face=""Trebuchet MS", Trebuchet, Verdana, sans-serif" style="background-color: white; caret-color: rgb(102, 102, 102);">10/17.18.19 </span><span face=""Trebuchet MS", Trebuchet, Verdana, sans-serif" style="background-color: white; caret-color: rgb(102, 102, 102);">Choy Ka Fai “UnBearable Darkness” </span><span face=""Trebuchet MS", Trebuchet, Verdana, sans-serif" style="background-color: white; caret-color: rgb(102, 102, 102);">@</span><a href="https://performancespace.com.au/program/unbearable-darkness-by-choy-ka-fai/" style="text-decoration: none;"><span>Sydney</span></a><br style="caret-color: rgb(102, 102, 102);" /><span face=""Trebuchet MS", Trebuchet, Verdana, sans-serif" style="background-color: white; caret-color: rgb(102, 102, 102);">10/5.6 </span><span face=""Trebuchet MS", Trebuchet, Verdana, sans-serif" style="background-color: white; caret-color: rgb(102, 102, 102);">Choy Ka Fai “UnBearable Darkness” </span><span face=""Trebuchet MS", Trebuchet, Verdana, sans-serif" style="background-color: white; caret-color: rgb(102, 102, 102);">@</span><a href="https://kyoto-ex.jp/2019-eng/program/choy-ka-fai/" style="text-decoration: none;"><span>Kyoto</span></a><br style="caret-color: rgb(102, 102, 102);" /><span face=""Trebuchet MS", Trebuchet, Verdana, sans-serif" style="background-color: white; caret-color: rgb(102, 102, 102);">8/31 </span><span face=""Trebuchet MS", Trebuchet, Verdana, sans-serif" style="background-color: white; caret-color: rgb(102, 102, 102);">CREATIVE AUDIO DESCRIPTION </span><span face=""Trebuchet MS", Trebuchet, Verdana, sans-serif" style="background-color: white; caret-color: rgb(102, 102, 102);">@</span><a href="https://www.kaat.jp/d/OTOsession20190831" style="text-decoration: none;"><span>Yokohama</span></a><br style="caret-color: rgb(102, 102, 102);" /><span face=""Trebuchet MS", Trebuchet, Verdana, sans-serif" style="background-color: white; caret-color: rgb(102, 102, 102);">8/17.18 </span><span face=""Trebuchet MS", Trebuchet, Verdana, sans-serif" style="background-color: white; caret-color: rgb(102, 102, 102);">Choy Ka Fai “UnBearable Darkness” </span><span face=""Trebuchet MS", Trebuchet, Verdana, sans-serif" style="background-color: white; caret-color: rgb(102, 102, 102);">@</span><a href="https://www.artsfestival.taipei/FilmContent.aspx?ID=9" style="text-decoration: none;"><span>Taipei</span></a><br style="caret-color: rgb(102, 102, 102);" /><span face=""Trebuchet MS", Trebuchet, Verdana, sans-serif" style="background-color: white; caret-color: rgb(102, 102, 102);">7/21 </span><span face=""Trebuchet MS", Trebuchet, Verdana, sans-serif" style="background-color: white; caret-color: rgb(102, 102, 102);">Compulsory&Free Program </span><span face=""Trebuchet MS", Trebuchet, Verdana, sans-serif" style="background-color: white; caret-color: rgb(102, 102, 102);">@</span><a href="http://scool.jp/event/20190721/" style="text-decoration: none;"><span>Tokyo</span></a><br style="caret-color: rgb(102, 102, 102);" /><span face=""Trebuchet MS", Trebuchet, Verdana, sans-serif" style="background-color: white; caret-color: rgb(102, 102, 102);">6/30 </span><span face=""Trebuchet MS", Trebuchet, Verdana, sans-serif" style="background-color: white; caret-color: rgb(102, 102, 102);">Dance Residence </span><span face=""Trebuchet MS", Trebuchet, Verdana, sans-serif" style="background-color: white; caret-color: rgb(102, 102, 102);">@</span><a href="https://www.toyohashi-at.jp/news/news.php?id=422https://www.toyohashi-at.jp/news/news.php?id=422" style="text-decoration: none;"><span>Toyohashi</span></a><br style="caret-color: rgb(102, 102, 102);" /><span face=""Trebuchet MS", Trebuchet, Verdana, sans-serif" style="background-color: white; caret-color: rgb(102, 102, 102);">1/25-27 </span><span face=""Trebuchet MS", Trebuchet, Verdana, sans-serif" style="background-color: white; caret-color: rgb(102, 102, 102);">Kisyodai Kageyama CITY III </span><span face=""Trebuchet MS", Trebuchet, Verdana, sans-serif" style="background-color: white; caret-color: rgb(102, 102, 102);">@</span><a href="http://www.kac.or.jp/events/24525/" style="text-decoration: none;"><span>Kyoto</span></a><br style="caret-color: rgb(102, 102, 102);" /></span><br style="caret-color: rgb(102, 102, 102);" /></span></div><div style="line-height: 24px;"><span style="color: #666666; font-family: inherit; font-size: x-small;">-2020</span></div><div style="line-height: 24px;"><span style="color: #666666; font-family: inherit; font-size: x-small;">2020/12/19.20 mimacul @<a href="https://mimacul.com/%e5%a4%a2%e3%81%ae%e4%b8%ad%e3%81%b8%e3%81%a8%e3%81%9d%e3%81%ae%e5%91%a8%e8%be%ba/"><span>Kyoto</span></a><div>2020/11/20.21.22 neji&co. “Sign” @<a href="https://askyoto.or.jp/e9/ticket/20201120"><font>Kyoto</font></a><br />2020/2/16 Pijin Neji & Tetsuya Umeda “Nejiroll” TPAM @<a href="https://www.tpam.or.jp/program/2020/en/?program=more-akira-neji"><span>Yokohama</span></a></div></span></div><div style="line-height: 24px;"><span style="color: #666666; font-family: inherit; font-size: x-small;"><br /></span></div><div style="line-height: 24px;"><span style="font-size: xx-small;"><br /></span></div>
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